While these setups are different, there are at least two common denominators that will remain constant. With proper planning, the smallest, most portable and least expensive setup can easily grow with and become an integral part of the most comprehensive and expensive setup. A professional working voice talent could easily own all three of these setups at different points in their career, or even use any one of the three interchangeably with the other two. Each setup will cover reasonable price ranges that will, at a minimum, be capable of providing an acceptable level of quality as well as varying degrees of flexibility. In this installment, of what will be a three part series, I’ll discuss the second of three types of voiceover recording setups. Today, with nothing more than a USB microphone and an iPad, you can be recording high quality audio in no time. More recently, the need for racks filled with expensive magic audio boxes has also become unnecessary. I know it seems hard to believe, but it is true the days of being chauffeured around from studio to studio where you talk for a few minutes and line your pockets with cash are long gone… and have been for years. It is as simple as this… if you want to work in voiceover, you need a home studio. The Anatomy of Three Voiceover Home Studios Part 2

Tags: Dan Friedman, home studio, sound4vo, voiceover, voiceover book, voiceover recording

Voice over home studio computer